Like most carbon based life forms, I’m enjoying the HBO series Westworld with its horrific clash between human “guests” and android “hosts”. As you should know, the series is based on a 1973 movie of the same name written and directed by the novelist Michael Crichton.
But there’s been a key difference so far in the modern series – it’s been focussed on the Wild West – the theme park known as Westworld. In the 1973 movie, we were immediately introduced to three theme parks at Delos: Westworld was the American Wild West, Romanworld was the last days of Pompeii and Medievalworld was set in a violent European Middle Ages.
As this is a Templar blog – I have to pose the question: where has Medievalworld gone? In the 1973 movie, it took second billing to Westworld with one of the guests run through by a host with a battle sword. The scene is chilling as the guest, an overweight executive, begins to realise that his duel with the medieval lord is for real. He treated it as a joke at the outset.
Three years after Westworld was released, a poorly received sequel called Futureworld was brought out. Though the film wasn’t well received, it has elements that have made their way into the TV series – for example, the collecting of data from guests to create new hosts has been taken and developed in a modern, digital context. Interestingly, Futureworld dumped Westworld but kept Medievalworld.
My suggestion to the makers of the TV series – though I suspect I’m too late to get this included – would be to create Templarworld. Could you imagine it? A secretive order of warrior knights pitted against the Saracens and betrayed by their own side – what a storyline!
I’ve never understood the hostility that this movie generated when it came out in 1999 – it seemed that once the critical slating got underway, everybody jumped on board to throw rotten tomatoes at it…and you can go to the Rotten Tomatoes movie website to see that plenty of people still hate The 13th Warrior.
But I’ve got a soft spot for certain movies that have been put through the critical mincer but still retain a certain historical fascination and are actually very watchable – and The 13th Warrior is not a dull movie. It’s rather violent and its take on the relationship between the emerging Arab/Islamic world of the east and the so-called Dark Ages in the west is if nothing else, picturesque and spooky!
And to be blunt – it’s certainly not down there with the unintentionally hilarious Ironclad and pretty dreadful Season of the Witch – two recent historical and hysterical offerings from Hollywood.
The 13th Warrior was based on a book by Michael Crichton – the man who brought you great horror sci fi movies in the 1970s like Coma and Westworld and then went on to conjure up Jurassic Park. The 13th Warrior was based on his book Eaters of the Dead and the movie originally adopted that name but when he was called in to direct it, it changed title.
In short, the year is 922CE and an Arab emissary (Antonio Banderas) leaves his beautiful homeland to go to the barbaric west where he falls in with a bunch of uncouth Vikings. He learns their language and fights battles alongside them against a mysterious creature that is threatening to wipe them out. A Viking prophecy stipulates that a foreign man must be present if the beast is to be vanquished – and along comes our Arab friend. I won’t spoil the plot any further!
The movie cost far more than it made back at the box office and Omar Sharif – who had a bit part in the film – slated it and then the critics gave it a good booting. But I think for those trying to understand the cultural clashes of the very early Middle Ages – it’s a good watch. Time, I suspect, may be kinder to The 13th Warrior than the critics were – I hope you agree!